HIP Debussy and Ravel : The Eroica Quartet

Eroica Quartet Peter Hanson violin 1 Julia Hanson violin 2 Vicci Wardman viola In Britain, the Eroica Quartet, founded in 1993 by four of the country’s leading period-instrument performers, have the field virtually to themselves. Three of the members are principals in John Eliot Gardiner’s Orchestre Révolutionnaire et Romantique (which specialises in early 19th-century repertoire) and […]

The Orlando Consort’s latest : the radical development of music between the late-13th and mid 15th centuries

The Orlando Consort has paused their traversal of the songs of Guillaume de Machaut (their intention to record them all has yielded three CDs so far) and devoted their latest release to charting the radical development of music between the late thirteenth and mid fifteenth centuries—the transition from what is at essence embellished chant to […]

Dufay’s Missa de Sancti Anthonii de Padua

St Anthony of Padua held a very particular significance in the devotions of Guillaume Dufay. The single holy relic in his possession was a piece of the Saint’s belt, or girdle, listed among the ‘jewels’ in the account of the executors of his will. But the main expression of his veneration was undoubtedly the Mass […]

Palestrina : Lamentations by Musica Contexta

Jerome Roche writing in Palestrina (Oxford Studies of Composers), claims that Palestrina wrote 41 complete sets of Lamentations for Tenebrae, although in his notes to their recording of Lamentations for Holy Thursday, Book III, Simon Ravens, director of Musica Contexta, says that only four sets survive. These Lamentations come from the Roman liturgy for Holy Week, which […]